suspended on a sunbeam

May 24, 2012 at 9:48am
3 notes

when you’re abroad, you tend to romanticise where you came from. today after watching the local news for ten minutes, all that romanticism i had built up in six months seemed so futile, so naive. in those ten minutes i heard about an eleven year old girl who was assaulted by the family she worked for and a thirteen year old girl who was whipped and kept in chains by her forty year old husband. these words don’t do justice to the severity of the crimes - the pictures were heartwrenching. the violence against women in this country is ridiculous, fucking unbelievable in this day and age. pakistan, you’ve forgotten your women and you’ve done so at your own peril.

May 22, 2012 at 1:58pm
9,061 notes
Reblogged from weareallstarstuff
weareallstarstuff:

Serenity Nebula

weareallstarstuff:

Serenity Nebula

(via lockedupletters)

May 16, 2012 at 11:33pm
4 notes
Reblogged from silverreplies
love.

love.

(Source: silverreplies)

May 14, 2012 at 6:30pm
13,724 notes
Reblogged from ghostisborn

I’m not going to censor myself to comfort your ignorance.

— Jon Stewart (via thalamtnafsee)

(Source: ghostisborn, via muslimfeminists)

May 4, 2012 at 1:46pm
0 notes

Why Afghan Women Risk Death to write Poetry →

“Her memory will be a flower tucked into literature’s turban.
In her loneliness, every sister cries for her.”



May 3, 2012 at 2:01pm
29 notes
Reblogged from mehreenkasana

mehreenkasana:

Performed by the band my friend Umer aka Duck sings for, Great Uncertain by Poor Rich Boy is a beautiful, bitter song with one of the best lyrics I’ve ever had the chance to listen to. Poor Rich Boy is a band based in Lahore (my city, if I may add boastfully so) and has created one of the best songs in Pakistan’s underground music scene. Because I love the lyrics so much, I’ve decided to post them here. Give it a listen.

I’ll follow you down through the meadows 
Down to the old crow killer crossroads 
And there we’ll wait for your children 
Where they’ll lead us down to that old mamba snake of a road

Old men to my left 
With their wives and their faces marred 
And these miseries they wont leave us 
Cling on to our skins 
Like boiling hot tar

The bowerbirds have boulders attached to their feet 
They’re tearing down the buildings as we speak 
I’ll let go of the birds I held 
In captivity 
And let them soar through the night 

And it came to me again 
How all the roads are laughing serpents 
They’re leading us on to the latches of doors bolted tight on a mighty brow 

Now as the sun 
Falls to dust 
All of our memories are but rust 

One lonely step on to the pier 
With the river still running deep 
And the reflections of vibrations of 
A cold dipping sun 
We are but one 

You and I and the great uncertain 
We’ll part these curtains 
We’ll hang ourselves tonight 
The crows, they’ll dance with the wind 
Across the steeple 
Where our Gods lie 

And all of your children they are but people 
Buried in the sand 
Forgive me lord 
The fire fairy died.

Best comments received on one of their songs, “I didn’t know Pakistanis could sing in English!!!” Silly people online. This is pure Pakistani talent. Shehzad’s voice haunts.

April 25, 2012 at 7:26pm
71 notes
Reblogged from thepoliticalnotebook
thepoliticalnotebook:



Picture of the Day: Islamabad, Pakistan. Men, originally from a village nearMultan, now displaced from their homes since the 2010 flooding, play pool in a slum in the capital’s outskirts.
Credit: Muhammad Muheisen/AP. Via.
View more Picture of the Day posts. Submit a photo.

thepoliticalnotebook:

Picture of the DayIslamabad, Pakistan. Men, originally from a village nearMultan, now displaced from their homes since the 2010 flooding, play pool in a slum in the capital’s outskirts.

Credit: Muhammad Muheisen/AP. Via.

View more Picture of the Day posts. Submit a photo.

7:19pm
66 notes
Reblogged from sharquaouia

The battle against misogyny does not follow a “men hate women” formula. It cannot be reduced to a generic battle of the sexes spiced with a dose of Islam and culture. It cannot be extracted from the political and economic threads that, together with patriarchy, produce the uneven terrain that men and women together navigate. It is these lessons that one would have to engage before meting out an indictment about the politics of sex, much less envisioning a future of these politics. There is no one answer because there is no single culprit, no single “culture” or “hatred” that we can root out and replace with “tolerance” or “love.” Similarly, the absence of a sustained and critical attention to sex and gender cannot be solved, syllabus style, by a separate glossy special “Sex Issue,” the content and form of which reproduce what it purports to critique.

— Let’s Talk About Sex by Sherene Seikaly and Maya Mikdashi for Jadaliyya (via muslimfeminists)

(via muslimfeminists)

April 16, 2012 at 10:07pm
3 notes

a little late, but wesfest made me so happy. completely reaffirmed that i am the right place and surrounded by the best of people.

12:42pm
100 notes
Reblogged from mehreenkasana

mehreenkasana:

Oh, Edhi. This is the truth.

mehreenkasana:

Oh, Edhi. This is the truth.

(via ofmonsoonandmangoes)